The study of the pipe organ (and its electronic imitation), its composers and repertoire, and the art of playing it, can occupy a lifetime. This outline looks at the art of practicing with activities to stimulate learning and retention from pre-practice to follow-up and assessment. I hope organ students young or old use these techniques to advance and find fulfillment in their improvement.
As I've watched my wife teach our daughter little songs, it has made me remember back to my own mother and grandmother teaching me songs of all sorts. I still have some of those music books and we use them now with our daughter. Watching her sing these little melodies is amazing. We are overwhelmed thinking about her eventually passing them on to her family in the futur,e as we did to her and as was done for us. Music truly passes through time, generations, boundaries, cultures, and hearts.
In this video Mormon Tabernacle Organist Richard Elliott performs his own setting of Antonin Dvorak's lovely "Songs My Mother Taught Me." It is the fourth of seven songs in the Gypsy Songs cycle B. 104, Opus 55.
For the past year, I have been restoring the pipe organ at St. Joseph's Historic Church in Randolph, Ohio. It hadn't played in years, so there was a lot of work to be done to bring it back in to playing condition and tuning. Though I have made huge strides, the work is ongoing. But to show off the work that has been done and give parishioners and community members a teaser on what they've been missing, we are playing a springtime concert highlighting the progress thus far. Church members have assisted me in various stages of the work, beginning with a work party to remove all of the pipes from the main chests of the organ for cleaning, dent removal, and minor voicing work for a handful of non-speaking pipes!
I AM one of those who take great delight in sacred music, and think, with royal David, that heart, voice, and instrument should unite in adoration of the great Supreme.
A soul truly touched with love and gratitude, or under the influence of penitential sorrow, will unavoidably break forth in expressions suited to its feelings. In order that these emanations of the mind may be conducted with uniformity and a becoming propriety, our church hath adopted into her liturgy, the book of psalms, commonly called David's Psalms, which contain a great variety of addresses to the Deity, adapted to almost every state and temperature of a devout heart, and expressed in terms always proper, and often sublime.
Francis Hopkinson, delegate to the Continental Congress, and signer of the Declaration of Independence, was also a writer of poetry, satirical works, and music. First Graduate of the College of Philadelphia, he had great experience as a writer in law offices and in all matters political--especially as they related to the Colonies' relationship with England. He was appointed as a federal judge by George Washington in 1790, subsequent to serving as a Judge of the Admiralty. He also served as organist of Christ Church for an unknown tenure.
Something not as commonly known about Francis Hopkinson, and perhaps of interest to organists, was his interest in the comportment of the church organist and how the organ should be appropriately used in the church worship service (of the Colonial Episcopal church, at least). In his "A LETTER TO THE REV. DOCTOR WHITE, RECTOR OF CHRIST CHURCH AND ST. PETER'S ON THE CONDUCT OF A CHURCH ORGAN", Hopkinson delves into the appropriate use of the organ by making six rules, covering everything from the prelude to the postlude and the hymns in between. Interestingly, however, the majority of his comments seem to be directed toward the organist and how he uses the instrument.
Organist and composer Diane Bishhas been one of the greatest advocates of the pipe organ in recent history. Not since the time of the so-called golden age of organ building and the “superstars” like Virgil Fox and E. Power Biggs has anyone had more success in bringing the organ to large audiences. Through her development and broadcast of the weekly “The Joy of Music” television series, Diane shared with the world a sort of National Geographic of the pipe organ—taking us to see and hear pipe organs places we will probably never visit.
Often, my wife and I like to make recordings on the pipe organs I maintain. Even though we have a home organ, you just can't duplicate the awesome ring andreverb in a large vaulted room with wooded pews - not for all the sound recording software in the world! Our recent session at Kent Trinity Lutheran was great. As we wrapped up for the night, their Organist joked that we 'owed her big time!' So, in part, in exchange for having the sanctuary available to us, we put together a small little program for a spring Sunday afternoon concert for the community. Hope you can join us!
On Sunday, March 8, 2015, several members of the Akron, Ohio Chapter of the American Guild of Organists will perform on the annual Members Recital. The topic for this year is "Outrageous Offertories" and the members have selected several fun pieces to play during the program.
Step back in time, to the 20's, and on the night before Valentine's Day 2015, bring your family to the movies! Organist Brian Ebie will provide the live accompaniment at the pipe organ for the famous 1925 Phantom of the Opera, starring Lon Chaney and Mary Philbin.
